Contents
Introduction
Issue 33.1 (Winter 2006)
Special Issue: Cognitive Shakespeare: Criticism and Theory in the Age of Neuroscience
Abstracts ...........................................................................................v-viii
Lalita Pandit and Patrick Colm Hogan ..................................................1
Introduction
Morsels and Modules: On Embodying Cognition in Shakespeare’s Plays
Theorizing Cognition: Understanding Shakespearean Patterns
Keith Oatley ........................................................................................15
Simulation of Substance ahd Shadow: Inner Emotions and Outer
Behavior in Shakespeare’s Psychology of Character
Behavior in Shakespeare’s Psychology of Character
Patrick Colm Hogan.............................................................................34
Narrative Universals, Heroic Tragi-Comedy, and Shakespeare’s Political Ambivalence
Narrative Universals, Heroic Tragi-Comedy, and Shakespeare’s Political Ambivalence
Donald Wehrs .....................................................................................67
Moral Physiology, Ethical Prototypes, and the Denaturing of Sense in Shakespearean Tragedy
Historicizing Cognition:
Interpreting Individual Plays
Lalita Pandit .........................................................................................................................................94
Emotion, Perception, and Anagnorisis in The Comedy of Errors: A Cognitive Perspective
Nicolas Moschovakis ...........................................................................................................................127
Topicality and Conceptual Blending: Titus Andronicus and the Case of William Hacket
lyn B. Tribble .......................................................................................................................................151
The Dark Backward and Abysm of Time: The Tempest and Memory
Using Cognition:
Performing and Adapting Shakespeare Today
Reuven Tsur ........................................................................................................................................170
Delivery Style and Listener Response in the Rhythmical Performance of Shakespeare’s Sonnets
Frederick Aldama ................................................................................................................................197
Race, Cognition, and Emotion: Shakespeare and Film
Review Essays
Carl Plantinga .....................................................................................................................................215
Cognitive Theory in Film Studies: Three Recent Books
[Reviews of Engaging the Moving Image, by Noël Carroll; Film Structure and the Emotion System, by Greg M. Smith; Understanding Cinema: A Psychological Theory of Moving Imagery, by Per Persson.]
F. Elizabeth Hart ..................................................................................................................................225
The View of Where We’ve Been and Where We’d Like to Go
[Reviews of Cognitive Poetics: An Introduction, by Peter Stockwell; Cognitive Poetics in Practice, ed. Joanna Gavins and Gerald Steen; The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities, by Gilles Fauconnier and Mark Turner.]
Book Reviews
Mary Thomas Crane ............................................................................................................................239
[Review of Reading the Early Modern Passions: Essays in the Cultural History of Emotion, ed. Gail Kern Paster, Katherine Rowe, and Mary Floyd-Wilson.]
Claiborne Rice ....................................................................................................................................242
[Review of Cognitive Science, Literature, and the Arts: A Guide for Humanists, by Patrick Colm Hogan.]
Frederick Aldama ................................................................................................................................247
[Review of The Mind and Its Stories: Narrative Universals and Human Emotion, by Patrick Colm Hogan.]
Appendix
Books Received ..................................................................................................................................251
