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Issue 31.4

Issue 31.4 (Fall 2004)
Special Issue: Shakespeare and Popular Culture

Articles
Elizabeth Abele
Introduction: Whither Shakespeare? Taking Stock of Shakespeare in Popular Culture

Marie A. Plasse
Crossover Dreams: Reflections on Shakespeare and Popular Culture

Donald K. Hedrick
The Bard of Enron: From Shakespeare to Noir Humanism

Jared Scott Johnson
The Propaganda Imperative: Challenging Mass Media Representations in McKellan's Richard III

Richard J. Hand
Shakespeare, Soccer, and Spin-Doctors: Staging a Contemporary Henry V

Marion Perret
Not Just Condensation: How Comic Books Interpret Shakespeare

Annalisa Castaldo
‘No more yielding than a dream': The Construction of Shakespeare in The Sandman

Katherine O. Acheson
Hamlet, Synecdoche and History: Teaching the Tropes of ‘New Remembrance'

Kay H. Smith
Hamlet, Part Seven, The Revenge , or, Sampling Shakespeare in a Postmodern World

Kim Fedderson and J. Michael Richardson
Hamlet 9/11: Sound, Noise, and Fury in Almereyda's Hamlet

Review Essays
Marc Bousquet
“Academic Labor and the Reflexive Turn in Literature and Cultural Studies.” Review of Henry Giroux and Kostas Myrsiades, eds., Beyond the Corporate University: Culture and Pedagogy in the New Millenium ; and Jeffrey J. Williams, ed., The Institution of Literature .

Donna Strickland
“Beyond the Romance of Multiculturalism: Radicalizing Difference and Community in Cultural Studies.” Reviews of Joseph Miranda, Against the Romance of Community ; E. San Juan , Jr., Racism and Cultural Studies: Critiques of Multiculturalist Ideology and the Politics of Difference ; and Thomas West, Signs of Struggle: The Rhetorical Politics of Cultural Difference .

Nouri Gana
“Revolutionaries without a Revolution: The Case of Julia Kristeva.” Reviews of Mourning Revolution , Kurt Hirtler, Ola Stahl, and Ika Willis, eds. Special issue of Parallex 9.2; and Julia Kristeva, The Sense and Non-Sense of Revolt: The Powers and Limits of Psychoanalysis , and Intimate Revolt: The Powers and Limits of Psychoanalysis .

Taylor Hagood
“Folklore and Creolization in United States Literature.” Reviews of Karen E. Beardslee, Literary Legacies, Folklore Foundations: Selfhood and Cultural Tradition in Nineteenth and Twentieth-century American Literature ; and Keith Cartwright, Reading Africa into American Literature: Epics, Fables, and Gothic Tales.